Girl in Four Colors

May 27

misssynph:

figuring out a nice narrow age range for Bruce to be in canon is harder than it should be especially because i’m pretty sure i’ve gone through this before 

In the New 52 timeline? Bruce is in his early thirties. His parents were killed when he was ten (Justice League #6). He took in a now-sixteen year old Dick Grayson about five years ago (Nightwing #2). He is old enough to have a ten year old son (Batman and Robin #1), though it’s not definite whether he was already Batman at this time or not. Also, Jason was Robin the longest (two years, per Red Hood and the Outlaws #3). Bruce has four years between taking in Dick Grayson and his “death” (Batman, Inc. #1; previously only called “missing” in Nightwing #1). When he returns, Damian continues as Robin. It works if you treat it like a true reboot. Only the vaguest overviews of the previous stories still fit (as an example, Jason’s training with the All-Caste now puts his return to Gotham AFTER Bruce’s “resurrection”).

Mar 24

If You Read WONDER WOMAN #7, Then You Know Why You Should Stop Buying WONDER WOMAN

sonofbaldwin:

One finger pointing at the Amazons; three fingers pointing back at yourself.

Brian Azzarello may or may not be aware of this, it may or may not be intentional, but what he has done is made the Amazons literal scapegoats. He has cast all of the transgressions of the society he, himself, lives in onto the bodies of the once-honorable, once-humane Amazons. For it was NOT the Amazons — despite what the misogynists known as the Classical Greeks might have written — who raped, warred, pillaged, and murdered throughout millennia. No. The vast majority of rapes, wars, pillaging, murder, and, specifically, infanticide (and, historically, it has ALWAYS been baby girls who were murdered because they were deemed to be of lesser value, NOT baby boys) are the crimes of patriarchy. And there is an OVERWHELMING supply of economic, political, psychological, and social evidence to support this, enough to regard it as self-evident. I do not know if this means that women are morally superior to men. I do not know if women would be just as despicable if women, as a group, wielded power. I do not know what the defining features of a TRULY matriarchal society would be; I have never seen one. I do know that in a patriarchal society, women are just as capable of operating as patriarchs as men. And I do know that most men cannot imagine a society ruled by women without making it look just like one ruled by men. They seem to be afraid to imagine it could be any other way, which, to me, reveals their limitations.

I do not know if Azzarello and his readers have the courage or psychological wherewithal to understand what it is he is doing, what it is they are reading or buying into, but I see it clearly. If Azzarello’s Wonder Woman character can function as an allegory, she is an allegory for the American. The American, more than any other person on the planet, operates from a false and distorted history and an over-inflated sense of self-importance (the American will look at you as though YOU are the one who is crazy at the mere suggestion of this; hubris prevents critical understanding). Just like Azzarello’s Diana, the American walks into the world mistakenly believing he is superior to every other being he encounters. He, more than any other creature, believes himself The Savior Whose Burden It Is to Civilize the Savages. And he is completely oblivious to and protected from the fact that he comes from a nation of savages.

Brian Azzarello’s WONDER WOMAN might be his attempt to answer the questions: What would happen to the American if he could no longer deny the depravity of his history and had to confront what he actually is? Could he survive knowing that he is no better than the savages he looks down upon? But Azzarello could not, of course, tackle these questions dead on (if he is even AWARE that he is tackling them). Instead, he had to superimpose the American pathology onto suitable patsies; ones who could carry the psychosis without offending him or the readers who identify with him. In other words, he had to find ciphers into which the pathology could be suitably, sufficiently invested and hidden (so as not to hit too close to home and wind up hurting egos and comic book sales). And since just about everyone in America hates women to some degree or another (whether they are sexually interested in women or not), ESPECIALLY if the women are FREE, why not Wonder Woman and the Amazons? Azzarello is using misogyny (and yes, I do believe what I am reading is misogynistic) as catharsis, as confession—perhaps for himself and perhaps for an entire nation of misogynists who simply cannot face their sins any other way.

While I believe the intention of Azzarello’s WONDER WOMAN is to indict Wonder Woman and the Amazons, for me it winds up being an unintentional indictment of white supremacist capitalist patriarchy; an indictment that is SEVERELY compounded by the arrogance, ignorance, and dreadful innocence of both Azzarello and the readership. Unconsciousness is a weak alibi. Impact matters.

I expect no one to agree with this. Agreement is not the impetus for it. I wrote it because I had to tell the truth as I see it.

I wrote it because I am a witness.

Mar 17

(via kristinethune)

Mar 16

[video]

[video]

“Batgirl” | Marley Zarcone

“Batgirl” | Marley Zarcone

“Batgirl” | Pat

“Batgirl” | Pat

“Batgirl Cain” | Anthony Rocha

“Batgirl Cain” | Anthony Rocha

“Batgirl” | Iron Shine Maiden

“Batgirl” | Iron Shine Maiden

“Cain in the Rain” | Jeff Simpson

“Cain in the Rain” | Jeff Simpson